83 bars of 4/4 at 121 BPM, about 2:45 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 11-15, and 2 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 16 times: bars 18, 19, 20, 22, 36, 44 and 10 more.
2 more fills are written out on the fills page.
83 bars across 13 sections: 53 keep time, 17 are fills and 4 are silent. The longest unbroken stretch of time is bars 3-15.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
83 bars, about 2:45 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 18, 19, 20, 22, 36, 44 and 10 more.