313 bars of 4/4 at 127 BPM, about 9:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-23, 41 and 43-45, and 25 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25 fills to learn, played 45 times: bars 24, 40, 42, 48, 50, 54 and 39 more.
21 more fills are written out on the fills page.
313 bars across 19 sections: 125 keep time, 45 are fills, 38 are stops and 88 are silent. The longest unbroken stretch of time is bars 26-39.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
313 bars, about 9:51 at the written tempo. The course breaks it into 75 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 45 times: bars 24, 40, 42, 48, 50, 54 and 39 more.