75 bars of 4/4 at 130 BPM, about 2:18 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 1-7, 9-11 and 21-23, and 1 more place -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 20, 36 and 74.
75 bars across 10 sections: 54 keep time, 3 are fills, 5 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-11.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
75 bars, about 2:18 at the written tempo. The course breaks it into 22 exercises over 10 sittings, about 22 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 3 times: bars 20, 36 and 74.