62 bars of 4/4 at a walking 80 BPM, 3:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-6, 25-27 and 34-36, and 2 more places -- 22.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
62 bars across 4 sections: 56 keep time. The longest unbroken stretch of time is bars 24-44.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
62 bars, about 3:06 at the written tempo. The course breaks it into 20 exercises over 9 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.