285 bars of 4/4 at 110 BPM, about 10:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 3 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 8, 42, 68, 80, 84, 89 and 24 more.
7 more fills are written out on the fills page.
285 bars across 27 sections: 205 keep time, 30 are fills, 6 are stops and 13 are silent. The longest unbroken stretch of time is bars 231-256.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
285 bars, about 10:43 at the written tempo. The course breaks it into 80 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 8, 42, 68, 80, 84, 89 and 24 more.