92 bars of 3/4 -- not four -- at 80 BPM, 3:27 of playing on crash, ride, hi-hat, snare, mid tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-8, ride through bars 9-15, hi-hat through bars 16-36, ride through bars 37-43 and hi-hat through bars 44-92.
The beat the song is built on is a 2-bar phrase, played through bars 1-7, 25-27 and 29-35, and 2 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 2
1e+a2e+a3e+a 1e+a2e+a3e+a
CC |x-----------|------------|
HH |--x-x-x-x-x-|x-x-x-x-x-o-|
SD |------x-----|------x-----|
BD |x-----------|x-----------|4 fills to learn, played 12 times: bars 8, 12, 16, 28, 36, 40 and 6 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
92 bars, about 3:27 at the written tempo. The course breaks it into 28 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 8, 12, 16, 28, 36, 40 and 6 more.