92 bars of 3/4 -- not four -- at 80 BPM, 3:27 of playing on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-7, 25-27 and 29-35, and 2 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 8, 12, 16, 28, 36, 40 and 6 more.
92 bars across 9 sections: 62 keep time, 12 are fills and 7 are stops. The longest unbroken stretch of time is bars 1-7.
80 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
92 bars, about 3:27 at the written tempo. The course breaks it into 28 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 8, 12, 16, 28, 36, 40 and 6 more.