495 bars of 4/4 at 140 BPM, about 13:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8-10 and 12-14, and 45 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49 fills to learn, played 125 times: bars 22, 23, 24, 25, 29, 30 and 119 more.
45 more fills are written out on the fills page.
495 bars across 33 sections: 171 keep time, 125 are fills, 114 are stops and 55 are silent. The longest unbroken stretch of time is bars 250-266.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 8 out of 100; the rest of the number is everything around it.
495 bars, about 13:46 at the written tempo. The course breaks it into 140 exercises over 37 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
49 fills to learn, played 125 times: bars 22, 23, 24, 25, 29, 30 and 119 more.