91 bars of 4/4 at a walking 92 BPM, 3:57 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 2-15, snare through bars 16-29, hi-hat through bars 30-43, snare through bars 44-55, hi-hat through bars 56-67 and kick and crashes through bars 68-71, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 2-3, 5-10 and 12-14, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x-------------------x-----------|2 fills to learn, played 4 times: bars 68, 69, 70 and 88.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
91 bars, about 3:57 at the written tempo. The course breaks it into 23 exercises over 9 sittings, about 22 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 68, 69, 70 and 88.