91 bars of 4/4 at a walking 92 BPM, 3:57 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-3, 5-10 and 12-14, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 68, 69, 70 and 88.
91 bars across 7 sections: 75 keep time, 4 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 73-87.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
91 bars, about 3:57 at the written tempo. The course breaks it into 23 exercises over 9 sittings, about 22 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
2 fills to learn, played 4 times: bars 68, 69, 70 and 88.