115 bars of 4/4 at 125 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 50-51 and 53-59, and 3 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 9, 17, 60, 68, 99, 107 and 1 more.
115 bars across 16 sections: 81 keep time, 7 are fills and 3 are stops. The longest unbroken stretch of time is bars 2-8.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
115 bars, about 3:27 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 9, 17, 60, 68, 99, 107 and 1 more.