52 bars of 4/4 at 140 BPM, about 1:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-12 and 14-16, and 1 more place -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 8, 17, 31, 39, 43, 47 and 4 more.
52 bars across 5 sections: 25 keep time, 10 are fills, 9 are stops and 7 are silent. The longest unbroken stretch of time is bars 9-16.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
52 bars, about 1:29 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 8, 17, 31, 39, 43, 47 and 4 more.