131 bars of 4/4 at 142 BPM, about 3:41 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16, 18 and 20, and 8 more places -- 32.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 36, 92, 101, 102, 117, 118 and 1 more.
131 bars across 12 sections: 70 keep time, 7 are fills, 24 are stops and 21 are silent. The longest unbroken stretch of time is bars 69-81.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 15 out of 100; the rest of the number is everything around it.
131 bars, about 3:41 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 36, 92, 101, 102, 117, 118 and 1 more.