45 bars of 4/4 at 140 BPM, about 1:16 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 5-7 and 38-45 -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 3 times: bars 4, 8 and 17.
45 bars across 6 sections: 20 keep time, 4 are fills, 16 are stops and 2 are silent. The longest unbroken stretch of time is bars 39-45.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
45 bars, about 1:16 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 4, 8 and 17.