148 bars of 4/4 at 130 BPM, about 4:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-9, 11-15 and 21-32, and 2 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 14 times: bars 10, 18, 33, 34, 42, 57 and 8 more.
1 more fill is written out on the fills page.
148 bars across 12 sections: 101 keep time, 14 are fills, 5 are stops and 15 are silent. The longest unbroken stretch of time is bars 59-72.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
148 bars, about 4:31 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 14 times: bars 10, 18, 33, 34, 42, 57 and 8 more.