172 bars of 4/4 at 141 BPM, about 4:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 43-49, 51-57 and 59-65, and 4 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 20 times: bars 1, 42, 50, 58, 66, 99 and 14 more.
6 more fills are written out on the fills page.
172 bars across 8 sections: 139 keep time, 20 are fills and 5 are stops. The longest unbroken stretch of time is bars 2-39.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
172 bars, about 4:53 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 1, 42, 50, 58, 66, 99 and 14 more.