111 bars of 4/4 at 135 BPM, about 3:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-16, 18-25 and 28, and 8 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 18 times: bars 5, 9, 17, 34, 38, 42 and 12 more.
3 more fills are written out on the fills page.
111 bars across 7 sections: 60 keep time, 21 are fills and 21 are stops. The longest unbroken stretch of time is bars 18-25.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
111 bars, about 3:16 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 5, 9, 17, 34, 38, 42 and 12 more.