103 bars of 4/4 at a walking 92 BPM, 4:29 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 7-22 and 39-46 -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 1, 2, 57, 58, 61, 62 and 4 more.
1 more fill is written out on the fills page.
103 bars across 10 sections: 69 keep time, 11 are fills and 11 are stops. The longest unbroken stretch of time is bars 8-21.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
103 bars, about 4:29 at the written tempo. The course breaks it into 29 exercises over 6 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 1, 2, 57, 58, 61, 62 and 4 more.