120 bars of 4/4 at 130 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-11, 13-20 and 22, and 7 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 16 times: bars 27, 28, 34, 54, 61, 62 and 10 more.
6 more fills are written out on the fills page.
120 bars across 7 sections: 54 keep time, 16 are fills, 42 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-26.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
120 bars, about 3:42 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 27, 28, 34, 54, 61, 62 and 10 more.