63 bars of 4/4 at a walking 80 BPM, 3:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-7, snare through bars 8-12, toms through bars 13-18, hi-hat through bars 19-29, snare through bars 30-33 and ride through bars 34-36, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 20-22, 26-27 and 47 -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-o-x-x-|
SD |----x-------x---|
BD |x------xx-x---x-|9 fills to learn, played 12 times: bars 12, 16, 23, 39, 40, 44 and 6 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 41 out of 100; the rest of the number is everything around it.
63 bars, about 3:08 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 12, 16, 23, 39, 40, 44 and 6 more.