100 bars of 4/4 at 120 BPM, about 3:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 19 and 21, and 9 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 22 times: bars 8, 25, 26, 27, 28, 29 and 16 more.
6 more fills are written out on the fills page.
100 bars across 13 sections: 53 keep time, 22 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 12-21.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
100 bars, about 3:11 at the written tempo. The course breaks it into 39 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 22 times: bars 8, 25, 26, 27, 28, 29 and 16 more.