140 bars of 4/4 at 135 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18-20, and 6 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 8, 13, 17, 21, 27, 31 and 10 more.
3 more fills are written out on the fills page.
140 bars across 20 sections: 58 keep time, 16 are fills, 31 are stops and 21 are silent. The longest unbroken stretch of time is bars 66-74.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 50 out of 100; the rest of the number is everything around it.
140 bars, about 4:09 at the written tempo. The course breaks it into 37 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 8, 13, 17, 21, 27, 31 and 10 more.