118 bars of 4/4 at 130 BPM, about 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-12, 37-43 and 45-51, and 2 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 13 times: bars 1, 2, 3, 4, 36, 44 and 7 more.
2 more fills are written out on the fills page.
118 bars across 9 sections: 96 keep time, 13 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 14-35.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
118 bars, about 3:38 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 30 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 1, 2, 3, 4, 36, 44 and 7 more.