137 bars of 4/4 at 132 BPM, about 4:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 17-23 and 25-30, and 2 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 2, 4, 5, 6, 7, 8 and 13 more.
7 more fills are written out on the fills page.
137 bars across 9 sections: 88 keep time, 19 are fills, 23 are stops and 1 is silent. The longest unbroken stretch of time is bars 9-31.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
137 bars, about 4:09 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 2, 4, 5, 6, 7, 8 and 13 more.