229 bars of 4/4 at 125 BPM, about 6:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 103-104, 128-130 and 132, and 5 more places -- 4.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 44 times: bars 2, 3, 5, 6, 7, 9 and 38 more.
23 more fills are written out on the fills page.
229 bars across 26 sections: 132 keep time, 44 are fills, 22 are stops and 5 are silent. The longest unbroken stretch of time is bars 175-189.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 56 out of 100; the rest of the number is everything around it.
229 bars, about 6:36 at the written tempo. The course breaks it into 115 exercises over 44 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 44 times: bars 2, 3, 5, 6, 7, 9 and 38 more.