241 bars of 4/4 at 130 BPM, about 7:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 35-37, and 15 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 70 times: bars 1, 5, 13, 17, 18, 19 and 64 more.
17 more fills are written out on the fills page.
241 bars across 16 sections: 120 keep time, 73 are fills, 35 are stops and 2 are silent. The longest unbroken stretch of time is bars 141-149.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
241 bars, about 7:11 at the written tempo. The course breaks it into 64 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 70 times: bars 1, 5, 13, 17, 18, 19 and 64 more.