114 bars of 4/4 at 127 BPM, about 3:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 31-37 and 86-92, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 5, 9, 12, 15, 21, 38 and 12 more.
8 more fills are written out on the fills page.
114 bars across 16 sections: 58 keep time, 18 are fills, 19 are stops and 9 are silent. The longest unbroken stretch of time is bars 82-92.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
114 bars, about 3:35 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 5, 9, 12, 15, 21, 38 and 12 more.