114 bars of 4/4 at 127 BPM, about 3:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 2-13, hi-hat through bars 14-24, snare through bars 25-46, toms through bars 47-52, kick and crashes through bars 53-63 and hi-hat through bars 64-66, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 14, 31-37 and 86-92, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |x---x---x---x---x---x---x---x---|
BD |--x---x---x---x---x---x---x---x-|12 fills to learn, played 18 times: bars 5, 9, 12, 15, 21, 38 and 12 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
114 bars, about 3:35 at the written tempo. The course breaks it into 43 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 5, 9, 12, 15, 21, 38 and 12 more.