The beat the song is built on is one bar, played through bars 34-36, 38-40 and 42-44, and 9 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 57 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 72 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 118 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 118, 140, 161 and 182 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat, snare and kick, in 4/4 at 182 BPM, counted in sixteenth notes. It is written out above, and it covers 16.6% of the bars the kit plays.
Bars 34-36, 38-40, 42-44 and 46-48, and 8 more places. The time is kept on the silence to start with, and it changes 21 times over the song.
57 out of 100 on its own -- a step up. The song as a whole is 72 out of 100: demanding, mostly on how many notes a second it asks for.