48 bars of 4/4 at 120 BPM, about 1:38 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44-46 -- 7.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 17 times: bars 1, 2, 3, 4, 5, 6 and 11 more.
1 more fill is written out on the fills page.
54 bars across 5 sections: 10 keep time, 17 are fills, 9 are stops and 16 are silent. The longest unbroken stretch of time is bars 23-27.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 56 out of 100; the rest of the number is everything around it.
48 bars, about 1:38 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 17 times: bars 1, 2, 3, 4, 5, 6 and 11 more.