57 bars of 4/4 at 120 BPM, about 1:54 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 24-25, 28-29 and 32-33, and 6 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 2 times: bars 27 and 57.
57 bars across 6 sections: 46 keep time, 3 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 28-56.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
57 bars, about 1:54 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 27 and 57.