117 bars of 4/4 at 150 BPM, about 3:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-53, 55-57 and 59-60, and 3 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 36 times: bars 2, 10, 18, 26, 33, 34 and 30 more.
18 more fills are written out on the fills page.
117 bars across 10 sections: 65 keep time, 36 are fills and 6 are stops. The longest unbroken stretch of time is bars 103-109.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
117 bars, about 3:07 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 36 times: bars 2, 10, 18, 26, 33, 34 and 30 more.