143 bars at 210 BPM -- fast, and 2:43 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 9 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 2, 3, 4, 14, 22, 37 and 9 more.
3 more fills are written out on the fills page.
143 bars across 11 sections: 109 keep time, 16 are fills and 3 are stops. The longest unbroken stretch of time is bars 90-111.
210 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
143 bars, about 2:43 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 2, 3, 4, 14, 22, 37 and 9 more.