141 bars at 170 BPM -- fast, and 3:19 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-8, 26-28 and 30, and 8 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 30 times: bars 9, 13, 17, 18, 19, 29 and 24 more.
14 more fills are written out on the fills page.
141 bars across 20 sections: 72 keep time, 30 are fills, 14 are stops and 8 are silent. The longest unbroken stretch of time is bars 76-82.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
141 bars, about 3:19 at the written tempo. The course breaks it into 65 exercises over 17 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 30 times: bars 9, 13, 17, 18, 19, 29 and 24 more.