130 bars of 3/4 -- not four -- at 90 BPM, 4:20 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 9 and 42, and 15 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 20 times: bars 3, 4, 5, 6, 57, 61 and 14 more.
6 more fills are written out on the fills page.
130 bars across 19 sections: 62 keep time, 20 are fills, 4 are stops and 29 are silent. The longest unbroken stretch of time is bars 19-27.
90 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
130 bars, about 4:20 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 20 times: bars 3, 4, 5, 6, 57, 61 and 14 more.