89 bars of 4/4 at a walking 93 BPM, 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-22, 35-36 and 38, and 1 more place -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 56, 63, 64, 87, 88 and 89.
89 bars across 6 sections: 73 keep time, 6 are fills and 3 are stops. The longest unbroken stretch of time is bars 1-22.
93 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
89 bars, about 3:50 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 56, 63, 64, 87, 88 and 89.