63 bars of 3/4 -- not four -- at 100 BPM, 1:53 of playing on crash, ride, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 15-19, 25 and 38-44, and 1 more place -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 5 times: bars 26, 27, 28, 29 and 57.
63 bars across 10 sections: 43 keep time, 5 are fills, 1 is a stop and 6 are silent. The longest unbroken stretch of time is bars 14-25.
100 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
63 bars, about 1:53 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 26, 27, 28, 29 and 57.