112 bars at 167 BPM -- fast, and 2:41 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-16, 50-55 and 92-95, and 2 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 13, 25, 41, 57, 80, 96 and 4 more.
2 more fills are written out on the fills page.
112 bars across 14 sections: 78 keep time, 10 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 26-35.
167 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
112 bars, about 2:41 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 13, 25, 41, 57, 80, 96 and 4 more.