81 bars of 4/4 at a walking 85 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-11 and 13-17, and 1 more place -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 24 times: bars 19, 20, 22, 26, 28, 30 and 18 more.
7 more fills are written out on the fills page.
81 bars across 6 sections: 50 keep time, 24 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-18.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
81 bars, about 3:49 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 24 times: bars 19, 20, 22, 26, 28, 30 and 18 more.