146 bars at 180 BPM -- fast, and 3:15 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 53-56, 65-68 and 93-98, and 1 more place -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 8, 11, 12, 27, 28, 36 and 5 more.
2 more fills are written out on the fills page.
146 bars across 19 sections: 111 keep time, 11 are fills and 3 are silent. The longest unbroken stretch of time is bars 107-122.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
146 bars, about 3:15 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 8, 11, 12, 27, 28, 36 and 5 more.