180 bars of 3/4 -- not four -- at 122 BPM, 4:26 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32, 34 and 36, and 20 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 90, 130, 146 and 170.
180 bars across 20 sections: 66 keep time, 4 are fills, 36 are stops and 66 are silent. The longest unbroken stretch of time is bars 68-78.
122 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 11 out of 100; the rest of the number is everything around it.
180 bars, about 4:26 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 90, 130, 146 and 170.