150 bars of 3/4 -- not four -- at 170 BPM, 3:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31 and 55, and 2 more places -- 5.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 71 times: bars 15, 16, 17, 18, 21, 22 and 65 more.
22 more fills are written out on the fills page.
150 bars across 11 sections: 41 keep time, 71 are fills, 18 are stops and 11 are silent. The longest unbroken stretch of time is bars 119-128.
170 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
150 bars, about 3:12 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 71 times: bars 15, 16, 17, 18, 21, 22 and 65 more.