130 bars of 4/4 at a walking 104 BPM, 5:00 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 17-18 and 20, and 20 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 15 times: bars 24, 40, 48, 50, 54, 62 and 9 more.
4 more fills are written out on the fills page.
130 bars across 16 sections: 87 keep time, 15 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 8-22.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
130 bars, about 5:00 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 24, 40, 48, 50, 54, 62 and 9 more.