93 bars of 4/4 at a walking 100 BPM, 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-19, 29-31 and 66-68, and 1 more place -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 29 times: bars 5, 16, 18, 20, 24, 28 and 23 more.
7 more fills are written out on the fills page.
93 bars across 13 sections: 43 keep time, 29 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 10-14.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
93 bars, about 3:42 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 29 times: bars 5, 16, 18, 20, 24, 28 and 23 more.