88 bars, 4:45, at 74 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 17-21 and 23, and 4 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 20 times: bars 16, 28, 32, 36, 50, 54 and 14 more.
8 more fills are written out on the fills page.
88 bars across 8 sections: 54 keep time, 20 are fills and 2 are stops. The longest unbroken stretch of time is bars 1-8.
74 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
88 bars, about 4:45 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 16, 28, 32, 36, 50, 54 and 14 more.