149 bars, 9:08, at 65 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 66-71, 73-75 and 78-80 -- 8.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 56 times: bars 10, 12, 16, 24, 28, 30 and 50 more.
18 more fills are written out on the fills page.
149 bars across 12 sections: 75 keep time, 56 are fills and 3 are stops. The longest unbroken stretch of time is bars 66-80.
65 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
149 bars, about 9:08 at the written tempo. The course breaks it into 66 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 56 times: bars 10, 12, 16, 24, 28, 30 and 50 more.