126 bars of 4/4 at a walking 82 BPM, 6:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-28, 30 and 47-48, and 6 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 8 times: bars 29, 37, 57, 67, 68, 69 and 2 more.
2 more fills are written out on the fills page.
126 bars across 12 sections: 78 keep time, 9 are fills, 3 are stops and 21 are silent. The longest unbroken stretch of time is bars 97-108.
82 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
126 bars, about 6:07 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 29, 37, 57, 67, 68, 69 and 2 more.