94 bars of 4/4 at a walking 92 BPM, 4:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 45-47, and 5 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 4, 8, 12, 16, 20, 28 and 11 more.
3 more fills are written out on the fills page.
94 bars across 11 sections: 61 keep time, 17 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 85-93.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
94 bars, about 4:05 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 4, 8, 12, 16, 20, 28 and 11 more.