115 bars of 4/4 at 146 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 35-36, 39-40 and 82, and 2 more places -- 9.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 48 times: bars 1, 2, 3, 4, 5, 6 and 42 more.
12 more fills are written out on the fills page.
115 bars across 11 sections: 37 keep time, 48 are fills, 1 is a stop and 21 are silent. The longest unbroken stretch of time is bars 52-62.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
115 bars, about 3:49 at the written tempo. The course breaks it into 45 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 48 times: bars 1, 2, 3, 4, 5, 6 and 42 more.