132 bars of 4/4 at a walking 90 BPM, 5:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 15-23, 76-84 and 98-106 -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 10 times: bars 10, 13, 14, 63, 69, 85 and 4 more.
4 more fills are written out on the fills page.
132 bars across 14 sections: 95 keep time, 10 are fills and 9 are stops. The longest unbroken stretch of time is bars 16-26.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
132 bars, about 5:51 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 10, 13, 14, 63, 69, 85 and 4 more.